Fraser Valley – Taryn Hubbard

Being a writer in the Fraser Valley informs my creativity, but that’s not because I have a large writerly community here or, really, any community at all. While there are opportunities for writers to meet and discuss work where I live, I have a hard time participating because of everything else I do, including working, taking care of kids, keeping my home clean, grocery shopping, and the list goes on.

It makes me wonder. What does it mean to be a writer in the Fraser Valley? When I was younger and lived in Metro Vancouver, I met up with lots of writers, attended readings, and felt generally quite connected. Since those days, my life has changed very much. The changes occurred slowly, but now as I look back I see all those changes amounted in a substantial shift in who I am. Moving, children, living through a pandemic, and a general change in how my free time is being spent—it has all contributed to my current existence and understanding of being a writer in this moment of my life.

After many years living in the Fraser Valley, I’ve noticed that elements of the lifestyle and environment have crept into my work.

This is most true with my current work-in-progress, a novel about a woman who survives something catastrophic in her rural home. I won’t get into more details than that as I am deep into the initial drafting stage.

When the initial seeds of an idea rooted in my mind, it was clear that the setting of this work would most resemble in some ways the Fraser Valley. While the actual setting of the book is not the Fraser Valley, I find myself describing elements of the natural environment here as element of setting in this new work. I’ve enjoyed taking the time to add descriptive details to my work that is fresh, relevant and personal to my own life.

I’m excited to see how the first draft will go. There is a lot to go, as I’m only half way through. More to come on this…

I love spring and fall, but there is something about summer and, even, winter that urges me to dive into a writing project with earnestness. Maybe it has something to do with the extreme weather common to both these seasons now and July is looking like it will shape up to be a hot month in the Fraser Valley.

In June I submitted edited versions of manuscripts to the publishers of both my upcoming books. It felt good. Both projects took years to write and edit, and both projects were started in the summer. It could be the heat of the summer that inspires me or maybe it’s the fact that the year is half-way through that fills me with the urgency needed to commit to a project consistently.

This summer I am working through the first revision of a new novel project. I started writing the first draft the summer of 2022 thinking that I could have it finished by December 2022, but it ended up taking me until December 2023 with everything going on in my life.

And here I am in the summer of 2024 starting down the path of the first major revision. Instead of being disappointed by how long it has taken me, I’m choosing to see the time away from the work as being helpful. And while I have probably forgotten a few of the aspects I had planned to address in the first revision while I was writing it, that’s probably okay.

There is something both gratifying and overwhelming about approaching a second draft. I have one novel project that I didn’t pursue past the initial messy draft. When I look at the file on my computer, I marvel that I even completed a full draft of that story. I wrote it during my first maternity leave. And while it holds a special place in my heart, there is only so much time I can give to my writing so I need to be working on projects that I truly love. I liked the old book, but didn’t feel I had the energy to give it all the work it needed. It was good practice.

This new revision project, on the other hand, I hope I can get through it this summer. My first novel took eight drafts to get to the shape I was happy with. And there is always more to do on a project, but there comes a time when I need to let it go to make space for a new one.

How I Approach the Second Draft

In the first big revision, i.e. my second draft, I approach it the following way:

Take time away
Print out a copy
Read the copy first, taking notes on overarching themes and big plotholes but doing minimal page edits
Do a ruthless hardcopy edit (i.e. strike A LOT out)
Translate the edits to a new document and generate new writing

Then take another break and maybe start on something else, like an outline for my next project.

I’m curious to see how many edits it will take me this time…